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January 6, 2025
Metal Guitar
Pedal Essentials
Lets start the new year, 2025, by
going over some essential guitar
pedals. These are the 5 pedals that
would be part of a
stripped down metal guitar rig – the
least amount of gear for the biggest
bang for the buck. So sit back and
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Metal Guitar
Pedal Essentials
Believe it or not it’s possible to
have only 5 pedals in a metal guitar rig. The trick
becomes choosing the right overdrive pedal
because there are so many, and because it
depends on your final sound requirements, and it
also depends on your amplifier sound. If you are
going to rock then clean amps have different
requirements than overdriven amps. Does your
amp offer reverb? This may save on buying a
reverb pedal later. The rest of the pedals are not
so difficult to choose. This list is also assuming
you have a power supply with cables for each
pedal to power them, and short patch cables to
connect your pedals together. All pedals have free
shipping, and I put them in the order I would hook
them up. And away we go...
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#1. Tuner
Although a tuner clipped onto your
head stock saves pedal board real
estate, having a tuner on your pedal
board or clipped to your
guitar head stock is
imperative. Not using a
tuner is just as bad as a
drummer who says they
don’t need a metronome. And if you
play in a band with a keyboardist a
tuner is even more important because
keyboards make guitar tuning
imperfections really stick out. Joyo
makes a good tuner, the JF-188R ($67.80 and free
shipping). The Behringer TU300 Chromatic Tuner
pedal gets inspiration from the Boss TU-3 pedal,
and can be found for about $25 USA with free
shipping. And for a price that low I can’t think of a
reason not to get one, and it can be even used as
a spare. The Behringer TU300 Tuner has features
like different tuning modes including Regular, Flat,
Double Flat, and Chromatic mode. It
also has a mute bypass function, and it
can be adjusted from 438Hz to 447Hz.
Just get one.
#2. Noise gate
If your guitar has single coil pickups, or
you use a distortion pedal, or you’re
going for a world record in guitar high
gain then a noise gate is a
must. Rowin makes an
excellent noise gate
($28.80 USA with free shipping) as
does Behringer with their NR300
Noise Reducer pedal. Once again it
gets inspiration from Boss,
namely the Boss NS-2.
And at $25 and free
shipping the NR300 is
perfect. The Reduction mode
eliminates noise, while the Mute mode
acts as a kill switch for instant silence.
The Pulse Noise Gate PT-19 is another
hard gate type like the Rowin for only
$28.80 USA and free shipping. I prefer
the Rowin because of the hard and soft
gate switch that’s excellent for gallops and chugs,
but you have to be the final judge.
#3. Compressor
I feel this pedal is essential, although
many don’t understand what it is
doing and don’t like it. Compression
squashes or flattens the overall
volume, so it brings the high and low
points of the amplitude closer to the
middle. This is excellent for
making everything sound more
even, and it also increases
perceived sustain. It also makes
recording a guitar easier because there
aren’t as many spikes in the signal that distort the
front end of the recording console. I prefer it used
before the overdrive or distortion pedal because it
makes it more ballsy and raucous. Stacking a
compressor and an overdrive is like
combining your favorite gin and
Campari; they just go together
naturally. And if it’s used before a
clean amp tone the sound becomes
more full, round, and pleasant. I
prefer the sound of a big tube
amplifier that’s begging for mercy,
and every time I slam a chord it
sags. That’s how I run my
compressor, and I don’t use a clean
sound very often, if at all. When it comes to pedal
choices the Lekato R-Comp (sometimes found at
the online Walmart site with free shipping) is a
good one if you like the old Ross Compressor
sound and response. Another great choice is the
Behinger CS400 ($25 USA with free shipping), as
it gets inspiration from the Boss CS-3, and it’s
considerably cheaper than the Boss. The
Pulse Compressor ($32.00 USA and free
shipping) has a bright and normal switch
feature to help bring life back to squashed
signals. And here’s one that has another
bend on compression called
the Caline Presure Tank
($33.80 and free shipping),
and it is inspired by the
yellow Diamond
Compressor pedal. And one that has
yet another slightly different take on
compression is the DemonFX CK
Compressor ($44.80
USA with free shipping), and it gets it’s
inspiration from the somewhat pricey
Keeley Compressor pedal. I used the
MXR DynaComp for at least 30 years,
but I recently switched to the
DemonFX CK because I think it
sounds a little more natural, and they
also stack well
together, if needed.
#4. Overdrive
Overdrive is another must-
have pedal for the metal
guitarist, and if you’re going to rock you’re going to
need one. Even if your amplifier has
built-in overdrive or a lead channel, it’s
still nice to have a different overdrive
in a pedal format on your board. You
can even use a couple overdrive
pedals to stack gains (or run in
parallel) for your own signature sound,
or simply use both the amp
and the pedal overdrive to
do the same thing. And the range of
sounds that can be created from even
just one overdrive pedal is mind-blowing;
from slight dirt when digging
into the notes, to a meaty
crunch for slamming chords, to
metal tones that kill small animals within
10 meters (approx 30 feet). And the
number of pedals available that can do
the job is staggering. A good starting
point for lighter distortion or a
transparent type drive is the Caline
Pure Sky ($29.80 and free shipping). It’s an
excellent Vemuram Jan Ray or MXR
Timmy clone, and to me it’s better. Or try
the Behinger Vintage Tube Overdrive
(original Tube Screamer 808 clone), the
Mosky Golden Horse (a very good Klon
clone), or the Mooer Blues Crab (Marshall
Bluesbreaker clone). And some pedals offer
stacking all by themselves. Check out one of my
favorites, the DemonFX ‘83
$64.80 USA (Marshall Blues
Breaker and Klon clones), or also
the DemonFX King of Drive
(Marshall Blues
Breaker and
Tube Screamer clones) and it
sounds as good as the Analog
Man King of Tone to my ear, and
there’s no 4-year wait. Or try the
Tone City King
of Blues $64.00 USA (Klon and
Bluesbreaker clone). And if you
like a more aggressive
tone try pedals like the
Caline English Man
$32.00 USA (sounds similar to a
Marshall 800), or the Tone City
Golden Plexi 2 $59.00 USA
(guess what that sounds like), or
the Joyo R-03 Uzi for $47.80
USA and free shipping
(Friedman BE-OD clone with
better tone control), or one of my
favorites, the wickedly
monstrous sounding
Joyo JF-04 High Gain
Distortion $37.80 USA
(Son of Hyde clone) for
about $37.80 USA and
free shipping. I wish it
had a bass control, but an
EQ pedal fixes that. Or
try the Joyo R-17 Dark Flame (Revv G3
clone) $52.80 USA and free
shipping, or the DemonFX
Revelation 4 (Revv G4 clone) for $54.80
USA and free shipping. And
one of my personal favorites
is the DemonFX BE-Deluxe
2 (Friedman Dirty Shirley
clone), it’s the one with the
toggle switch on the side, for $55.80
USA and free shipping. To hear my
take on two pedals listed above check
out the “Zoo-Tube” video, “Guitar
Pedal Shootout – Golden
Plexi 2 vs English Man -
Zystrix”. Or another way to
see and hear the same
results without ever leaving
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#5. Equalization
I suppose most pedal dealers would
tell you that a modulation pedal of
some sort would be the next pedal of
choice for this 5th spot. But I feel an
EQ pedal would be the best choice.
Why? To me it’s all about finding a
personal guitar sound that’s all
yours. And EQ can fine tune a mediocre overdrive
tone into a great tone. And EQ can also do other
tasks like make a great scooped guitar tone, or an
old radio Lo-Fi guitar tone, or it can
also be used as a clean boost pedal
into a tube amplifier (run all faders
flat except turn up the level slider).
All of these options make for a better
basic guitar sound, hence I chose an
EQ pedal for this spot. And there
are some superb EQ pedals out
there for a great price. Try the Joyo
JF-11 6-band EQ $37.80 USA with
free shipping. Another
one is the Caline CP-71 EQ ($46.00
USA with free shipping). But
probably the most bang-for-the-buck
is the Behringer EQ700 (Boss GE-7
clone) for $25.00 with free shipping.
And if you can’t dial in your sound
with one of these EQ pedals then
you can’t dial in your sound.
Conclusion
And there you have it; the 5
essential pedals for playing
metal guitar. Don’t go on a
spending spree. Although a
person can’t go wrong with any of the pedals listed
above, it’s better to shop slowly and listen. Use
your ear. The sounds I like and what you are
trying to accomplish in the way of your own sound
could be two different things. Besides,
I just scratched the surface of the
available pedals. What I tried to do
with this list is get the best sound for
the least amount of money. So order
online (or
use big-box
music stores) and get
some new toys and have
fun playing.
Don’t touch that dial…
Stay tuned next time…
We’re going to look at some
modulation pedals that would be
plugged in after the ones we covered
today. And Dangerous Neighbors has a new piano
tune called Beautiful Pink Casket.
Maybe I’ll see you next time.
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