What’s new at Zystrix? Read on… November 10, 2025 Best Bang for the Buck Guitar Amp Attenuators (Load-Boxes) In the last issue we went over part two of the series on two basic pedals needed for an original metal guitar sound (click here for a refresher). This time we’re going examine some guitar amp attenuators. Play your amp at the settings you love at the volume you need. So sit back and relax. Welcome to Zystrix, the heartbeat of the universe. Where creativity and free-thinking have more value than conformity. Background Artwork The colorful artwork that surrounds the edges of this website is invisible to many cell phone users. It’s included here (with others) for your enjoyment. Multiple copies are tiled together for a cohesive and seamless background seen all around this page. Enjoy. Introduction to Tube Amp Attenuators What’s a Guitar Amp Power Attenuator? A guitar amp power attenuator is a device that connects between a tube (valve) amplifier and the speaker cabinet and it reduces the volume of a guitar amplifier while (in a perfect world) preserving the dynamics and tone of the amp. The amplifier tubes (valves) can be driven at a preferred level at almost any lower volume using an attenuator, and the excess power is usually converted to heat and dissipated. Guitar amplifier attenuators have improved a lot since the early days of the Tom Scholz Power Soak (shown above). I used a Twin Reverb at the time and the Scholz Power Soak helped me get the 6L6 power tubes working. This was back in the days of passive attenuation with the associated loss of tone and high end. But now we have active attenuators (ones requiring an external AC power supply) that use a variable speaker load and the associated improved tone dynamic differences. However, where the big differences lie in bigger money attenuators is in extreme attenuation situations. There are also attenuators that go into the effects loop so the preamp can be run harder. One version is the Donner Emo-Amp Controller and another one is the JHS Little Black Amp Box. To me the attenuator should work for all tubes and not just the preamp section. Besides, if the effects loop is where the attenuation is happening then the output tubes (valves) are not being pushed and utilized for their big fat beautiful warm power amp sound. So if you are looking for that sound then using the Donner or the JHS pedal won’t get you there and necessitates another pedal like the Joyo Cab Box for an emulation of the power tube warmth. Or simply use the Joyo Cab Box in place of the Donner or the JHS. But instead of all that, it’s far better to get the correct attenuator in the first place and forget about the Emo-Amp Controller, Little Black Amp Box, and the Joyo Cab Box. And great sounding attenuators cost more, so be prepared to be separated from your wallet. This issue is only going to concern itself with the active and the passive whole-amp types. What I’ve also done with this list is separate the active from the passive attenuators. And naturally, price is often a factor in the sound of gear. I also know that sound is a very subjective thing. So use your ears when deciding and realize having too many features now may be something to grow into as your needs grow. Also be aware that running an amplifier full power for an extended amount of time is NEVER a good thing to do. An amplifier is not designed to be abused this way, and it may simply blow an amp fuse, to quickly shorten the life of the power tubes, which could also lead to a catastrophic failure. Although it’s great fun, I have fried power transformers using this method. Be cautious and diligent. Here are some other common sense things to remember… Make sure the attenuator is able to handle the amount of wattage the amplifier is capable of pushing. Make sure the amplifier output and the attenuator output cables are plugged into the correct places. And when making attenuator and amplifier output cable adjustments make sure the amplifier is OFF. And there you have it. Let’s move on to the goods… This list of gear is not all encompassing. I chose the attenuators I felt represented the popular majority. Here we go… Passive Attenuators Bugera PS-1 Power Soak This one has a 100-watt amplifier limit, it doesn’t offer any EQ or effects, there’s only one cabinet output, and the volume control is a little hit and miss with a 50% reduction in amp power from the start. But for the low price it’s really hard to complain. Other features include an XLR output with a microphone type sound for the mixing board at the front of house (FOH) or recording, and a choice of 4, 8, or 16 ohm amp output. It’s small and relatively light, and it’s even got a 3- year warranty. I found one new on Amazon for $130 and free shipping. Cool. Active Attenuators Tone King Iron Man 2 Iron Man 2 is an active guitar amp attenuator, it runs on 12 volts DC, and comes with a wall wart power supply. A common complaint with this one is the over-compression at high attenuation levels. It’s a little difficult to find deals on this attenuator so sellers Ebay to Reverb are all at about $800 USA with free shipping. Rivera Rock Crusher This attenuator features cabinet emulation, 11- band graphic EQ, 8 or 16 ohm modes, and heavy construction and XLR output for recording or FOH. It accepts up to 120 watt amplifier output. An active attenuator, it runs on 18 volts and comes with its own line wart. The newest version (pictured above) sells for $950 with free shipping at many big box music stores. Finding a used one is nearly impossible right now. However, there’s lots of older used ones (pictured below) on Ebay and Musician’s Friend for about $650 USA, and it even comes with free shipping. Universal Audio Ox Box According to the manufacturer this attenuator has versatility and ease of use. It offers up to twenty- two cabinets modeled after well-known cabs from Marshall, Fender, and Vox. There are up to six different microphone curve types available using the companion software. It also offers 6 pre-configured setups, and many of the emulations fall into the classic amp sounds. The four effects available include EQ compressor, delay, reverb. The connections include coaxial and an optical S/PDIF Out, a Line Out, and a speaker out. Unfortunately there is no way to load third-party IRs, and a common complaint about this attenuator is the lack of high end. Ox Box is priced new at $1300 USA and free shipping from many big box music stores, but used ones are readily available for about $900 to $1000 and free shipping from Musicians Friend and Guitar Center. Fryette PS-100 Power Station The PS-100 accepts amps up to 100 watts, and it also combines power amp and attenuation features so pre-amps can have power. As attenuators go this one has an audibly more transparent attenuation sound. It also features an adjustable volume from silent (recording) to full 100 watts (stage). Unfortunately there is only one output for speaker cabs, and the effects loop cannot be operated from the panel and requires a foot-switch pedal. However, most users say the attenuation sounds more natural than others. I found this one at American Musical and Amazon for $1200 and free shipping. The older model is readily available used from Reverb and Ebay for about $900 USA. Two Notes Re-Load 2 This attenuator features an analog reactive load, and it can tolerate amplifier outputs as high as 200 watts. The amp loads can be 4, 8, or 16 ohms. It offers a transparent dual-mono 215 watt solid state amp, and 2 independent cab outs. The FX loop is stereo, and 2 front of house or recording XLR outputs. Many users say it is a very realistic sounding attenuator. Unfortunately there is a lack of built-in IRs and they must be user installed via the Genome software. I downloaded the owner manual PDF and I still couldn’t figure out if third party IRs can be loaded into the attenuator. I would hope so, but proceed with caution. Many big box music stores offer it for $1100 USA and free shipping, however I found it for $999 USA at Adorama. Boss Tube Amp Expander The Tube Amp Expander by Boss is brimming over with features. For live or recording there are stereo XLR outputs, however it’s also possible to connect to a computer DAW using the USB port for a live mixing board or recording. The MIDI port can be used to either adjust the attenuator settings, or to also record the adjustments via MIDI from the attenuator or adjust other MIDI capable devices. The attenuator can also be used as a recording interface for your guitar if desired. And there’s no wall wart -- it runs on typical house current. It is also possible to adjust the impedance response of the reactive load using the two front dials. This is a great feature, but unfortunately your original cabinet load response is currently not available. Do you own a small tube amplifier that you love the sound of but it’s just too quiet? Use the Tube Amp Expander to attenuate the output and then increase the volume to compete with the rest of the band. The FX loop can be used for only the output of the desired effects or they can be blended in with your direct sound. There are ten pre-configured settings for getting started, and after a software update it’s possible to load up to 32 third party impulse responses – Djammincabs Super Maxxx IRs to the rescue. Big box music stores offer it for $1300 USA and free shipping, however I found it new for $1000 USA on Ebay and used at Musician’s Friend for $900 and free shipping. This excellent attenuator offers a lot of options – probably more than most guitarists would need. So Boss answered the call with the... Boss Tube Amp Expander Core This version also has many features: 2 XLR outs, USB for direct recording to your DAW, headphones out, accepts 100 watt amps, a built- in 30 watt amplifier, 32 cab emulations, 64 user IR slots stereo or mono and up to 32-bit files size, the stereo FX include compression, EQ, delay, and reverb. It also has 10 recallable rig settings. Unfortunately (for whatever reason) it does not support dual or triple rectifier amps. It even accepts third party IRs. Cool. This attenuator is a little power house at a great price. I can find them at the big box music stores for $770 USA and free shipping, but $610 to $636 USA and free shipping for a used one on Reverb. Tube Amp Attenuator Decisions -- Conclusion There is no cheap way to to own a great sounding attenuator. As they become more expensive (almost) they sound better. The Bugera will get a person the basic sound but the dynamics are going to suffer. The Fryette has a very natural sound but comparatively not many features. In my opinion the Boss Waza Tube Amp Expander is the way to go until something better comes along (and it always does). I hope this listing has given you food for thought for your hard earned cash. Don’t touch that dial… Stay tuned next time… In the next issue we’re going to look at great sounding low wattage (about 20 watts) tube guitar amps. Does a hybrid tube amp sound good for metal? Which amp is the most bang for the buck? Which affordable amp works best for recording metal? We’ll also hear a new piano tune by Dangerous Neighbors. Maybe I’ll see you then. I was going to procrastinate yesterday, but I decided to do it tomorrow.
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