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February 2, 2026
How to Create
Metal Riffs
(part two of two)
In the last episode we went over
the beginner guitarist and
part of the intermediate
guitarist ways to invent or create
metal riffs (click here for a refresher).
This time we’re going to finish
the intermediate guitarist methods to
create metal riffs and go on to end the
advanced guitarist ways. So sit back
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How to Create
Metal Riffs
Introduction to Part Two
Last time, as you may remember, we
defined what a metal riff is. Then we
went completely through the beginner
section of creating metal riffs, and half
way through the intermediate
guitarist section. For a
refresher click here to
review the previous issue.
Now we are starting from half-way
through the intermediate section
through the end of the advanced guitarist section.
There’s a million ways to metal, and like the
previous issue, the methods of creating metal riffs
presented here apply to all styles of music. And
as we’ll see, ideas and inspirations can be found
everywhere. And as mentioned before, the ideas
available in the public domain to borrow from or
outright steal is staggering. So let’s start where
we left off and go to the middle of the intermediate
guitarist section…
Creating Metal Riffs
Intermediate Guitarist
(continued)
Scales, Modes, and Chord Outlines
I prefer scales to modes but both methods can
produce excellent results for writing metal riffs.
Modes are simply starting on a different note in
the scale. This can be used to great effect against
chords in the same key. The Locrian mode is nice
for an unpredictable demented feel. The Phrygian
is another way of sounding minor. Another cool
way to approach them is to
omit a note or two for more
unpredictability. Put them
together and what have you
got? Bibbidi bobbidy boo. Pure metal magic.
Hopefully, anyway. The harmonic minor scale
(Hungarian) and the diminished scale are both
great ways of sounding classical and used by
many guitarists (see Niccolo Paganini in the
advanced guitarist section below). Another way is
to invent or borrow a chord
structure you like and play
notes that outline or stay
within the chords, This
method is used a lot by jazz and country guitarists
but could also be used in metal. Using
this method you are implying the chords
without actually playing them. Here’s
another way to play outside of your
comfort zone. Choose a scale that you
like the sound of but you never play.
There are many relatively common choices to be
had like the harmonic minor scale, the blues
scale, or the sus 4 pentatonic scale, but even
these can seem ordinary over time. The locrian
scale can be a diminished
sounding challenge to sound
consonant. The Japanese scale is
also interesting. Try the
mixolydian flat 9 flat 13. Or try the
Prometheus Neopolitan. The
whole tone scale also offers some challenges if
you enjoy something that can sound augmented
(think old Frankenstein movies).
Is That the Chromatic
or the Chaos Scale?
What are you tryin’ to play, man? Some guitarists,
either on purpose or not, sound like they were
handed 12 notes and their goal is to use all of
them all at once. Especially at high speed. In my
opinion this can sound like a mess, but some
guitarists pull it off with enviable grace. Try a
chromatic line in an otherwise square passage, or
try it between melodic passages. Or do slurs and
slides ending on a chromatic run for an interesting
metal riff. Or do your own rendition of
The Flight of the Bumblebee by
Rimsky-Korsakov during a solo. Or
how about a chromatic gallop. Oh sure,
sometimes it’s a little obscure sounding,
but sometimes it works. Unless you
know what you are doing, though, and also where
you are going musically, I wouldn’t recommend
this method. To me there are
too many guitarists using it (even
some professionals) going for
high-note-density hoping they
can pull the wool over the ears
of the listener. Don’t clown
around. It doesn’t always work
because it’s an obvious spoof for someone who
knows music, but when it does work and it’s well
placed it’s a beautiful thing.
Dramatic Pause,
Dynamics,
Articulation
Dramatic pause allows for
a holding of notes or resting for a prescribed beat
period (or not, hence, the fermata). Listen to the
guitar in the intro of War Pigs by Black Sabbath.
Drama. Or listen to the section where the vocals
start and the guitar rests. Tension. The guitar
isn’t playing many notes but it’s certainly saying a
lot. Dynamics also help make a riff more
interesting by changing how the note intensity is
played in volume or emphasis. It’s not what you
say but how you say it…
I thought you were going to Chicago.
I thought you were going to Chicago.
I thought you were going to Chicago.
And so on. Articulation can be the attack and
release of the chosen notes. As the note attack
becomes more articulated they become more
defined. As the note length becomes shorter the
sound is more staccato (individual notes) and less
legato (played smoothly and joined together).
OK, let’s move on and talk about methods of
creating metal riffs for the advanced guitarist…
Advanced Guitarist –
Creating Metal Riff Ideas
Keith Richards
This guitarist of Rolling
Stones fame was talking
about his music in an
interview and what he
said stuck with me.
Someone asked him how he can write so many
popular songs and he said something like, “I put
on a few albums of my favorite music and play
along with it. When the music is over I keep
playing and whatever drips off the end is mine.”
An easy and effective idea. You go, man.
Roll the Dice
There were many ways Wolfgang Mozart came
up with music ideas, but one that I thought was
cool was his use of dice. He would pick a music
key and then assign the notes specific
numbers on a die or pair of dice. He
would then toss the dice for the
melodic note order. I have had a little
luck using this method, but not enough
to use it much. The note choices
sometimes seemed a little odd unless
the timing was changed. However, I have used
Mozart’s music as a jumping off point for writing.
Somehow it has been difficult to get away
from sounding like something written by
Mozart. I have also noticed this same
problem when using French composer
Debussy as a starting point. At any
rate, maybe you’ll like the dice idea.
Also, do not allow young children to use this riff
invention method because dice can be a choking
hazard.
Piano Tunes
And speaking of Mozart (and
lots of other pianists), there
are many excellent piano
tunes to be had as a jumping
off point for metal guitar riffs. The world of piano
is your oyster. I use a similar method as Keith
Richards when it comes to piano but I don’t play
guitar along with it. I let the ideas influence me to
begin thinking that way and then I begin trying it
on my own. I’ve had a lot of luck with this method
not only on guitar but keys too.
Fernando Sor
Variations on someone’s music
is one method Sor used to great
effect. Listen to his variations
on Mozart’s Magic Flute for
some interesting technical
inspiration. Ana Vidovic
does a version as does Jesus Hultron, and they
can be readily found on “Zootube”. Listening to
that makes me want to go outside and step on my
own hands.
David Hamburger
David is an excellent acoustic
guitarist. One method I like of his
is to design the bass line of the
phrase first. Play this part over
and over. Once that part
is firmly implanted in your
head and finger memory to where you don’t have
to think about it invent and add some contrapuntal
chords. You can also add a second line of
melody, or double stops, or whatever you
decide. Now invent another bass line that’s
related or that fits with the first bass line and
follow the same procedure. For me this idea
became quite addictive for many years, and it just
sounds damn cool. To make it a little easier I write
out the parts for a visual concept. CAUTION: This
method is not for those weak of spirit or low on
patience, and it can take a long time to perfect.
Banjo Ideas
The banjo doesn’t seem like
a likely candidate for guitar
inspiration on inventing
metal riffs, But the
techniques they use all the
time have escaped many
rock guitarists. Check out
banjo cross picking (hookin’), or string skipping,
or triplets (rolls) that end on the last eighth note
of the bar (think Flatt and Scruggs). It’s a
whirlwind of notes that cause people to sit up
and take notice. Try infusing
these tricks and ideas into your
metal riffs for something that most
guitarists can’t play. For something
inspiring for metal riffs listen to
the banjo playing of Bela Fleck
and The Flecktones on his
greatest hits album. It’s an
eclectic cross between jazz, bluegrass, and rock.
Or listen to the tune Jerry’s Breakdown by
guitarist Jerry Reed for some break-neck banjo
type inspiration.
Niccolo Paganini
Do you want to sound like a classical
musician from the 1830s? Think
Hungarian minor scale. Violinist and
virtuoso Niccolo Paganini (1782-1840) was
technically brilliant and wrote a book
called the Caprice 24, and there are many ideas
for doing your own improvisation and riff
inventions. The book is public domain and can be
found free online. Paganini lived to be only 57
years old, and like many musicians, he died in
poverty, but he left some awe inspiring works. For
an idea of how the Hungarian minor can be used
listen to guitarists who borrow heavily from these
ideas like Malmsteen. If you can’t read music
check out the recording of Itzhak Perlman playing
these classical exercises (Angel Records, 1972)
for more ideas to morph into your own. And don’t
overlook old bluegrass violinists and their
contributions to music. There are a lot of ideas to
borrow from them too.
John Dowland
This lute player (an early form of
guitar) was an English composer
who lived from 1563-1626 and
wrote during the Renaissance
period. There are many metal riff
ideas to be had from his large
collection of music, and all of them
are free for the taking. Listen to
the 5-part series of all of his
known works as played by Paul
O’Dette. It’s a lifetime of John
Dowland’s music in under 6
hours. Other lute players (French,
Dutch, Italian) of the time left their
legacy of music, but John Dowland stands out as
a master and a seemingly endless fountain of
ideas. Here’s a short easy hard rock idea
borrowing heavily from Dowland.
Television, Movies, Books
I don’t remember who told
me this, but he said that he
watches baseball on TV with
the sound off and invents
guitar parts to match the
game. I’ve tried it and I like
it. Hell, I suppose this could be done
with all kinds of visual artwork, television
programs, movies, and so on. Another
one that’s interesting is to interpret a
book you read (or wrote) in
music. Interpret the whole
book as an overall musical
theme. Or interpret the
individual chapters as a
musically complex series of
events or a line of consciousness.
Hmm, I wonder which guitarist does that. Anyway,
not many, and it’s an idea that can steal hours and
hours.
Birds, Animals, Nature
I’ve heard many guitarists making
all kinds of noises from video
games to weird sci-fi to heavy
machinery. Go outside with your
guitar and see if you can imitate the
sounds around you. Try a
Chickadee using palm muted chugs.
Try imitating the family down the
street having a loud argument by
using your volume control for swells.
Try a sparrow being captured and eaten alive by a
hawk by using evil diminished and augmented
double stops. Try the garbage man’s truck using
tremolo picking and power chords. Try the police
siren speeding past by using a slide. Try
interpreting the ICE agents capturing a group of
people and shooting one of them in the face.
Well, maybe not that extreme. Anyway, it goes on
and on.
Public Domain
There is more public domain stuff to
hear and see than there is time
available -- it’s impossible to get to
them all. And anything in the public domain is fair
game for you to borrow ideas, or outright steal, or
morph into something else, or add together for a
new combination. You can even make your own
silent movie from parts of movies in the public
domain if you feel so moved. Everything from
drawings to paintings to music and movies to
photographs and so on. It’s overwhelming. There
are so many decisions to be made from an ocean
of inspirations, and so little time. Music in the
public domain can be freely shared, modified, or
redistributed without any royalties or fees. Go to
archive dot org for a great place to start for
movies or music, or check out pdinfo dot com for
all kinds of music.
Hack
What lick are you tryin’ to do,
man? Do you know some
licks that use open strings?
Try playing them in a different
key by using the same hand shapes but in a
different position on the neck and using the same
open notes. Sometimes it comes off sounding
horrible, but it can also lead to an interesting
melody that’s strangely evocative.
Conclusion
How to Create Metal Riffs
I’ve tried to present some workable ideas for
inventing metal riffs for the beginner, the
intermediate, and the advanced guitarist. Riff
inspiration can come from anywhere, and even
places you may not suspect. There are many
methods for inspiration, but the ones presented
have given me many hours of productive fun.
It’s as easy as learning your ABCs. Maybe you
have a method not mentioned here that you’d
like to share. Some of the best riffs seem to come
from a place of passion, or whatever it is that
drives you. Try to make your riffs memorable
instead of complex because the average listener
doesn’t walk around humming complex riffs.
Leave the complexity to
the solos if that’s what you
prefer. I hope these ideas
have given you food for
thought and consideration, maybe one of
them has given you a new
approach to try in your
writing,
and
hopefully
they will
offer you
as much success in
your own musical creations as they did for me.
Don’t touch that dial…
Stay tuned next time…
In the next issue we’re going to
examine some tips and
tricks for making your
studio recorded metal
guitar riffs sound bigger
and beefier. Maybe I’ll
see you then.
Is my girlfriend dissatisfied
with my body? A tiny part
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